It’s 10 a.m. and my father lies in his hospital bed, talking to me. It’s sunny outside. Rays shine through the windows, dappling walls, dancing on the bedsheets that drape my dad’s skeletal frame.
It’s bright inside this room, but the dark of the doctor’s words from earlier still hangs about. The syllables themselves, still fresh spoken, spread in my mind like thunderheads: Mr. Reddy, you have weeks to live.
I sit in a chair beside my dad, adjusting the volume on the iPhone speaker – keeping the oldies just loud enough to hear but not so loud to drown his words.
It’s hardly more than a whisper. The tumors in and around his esophagus, as well as the damage done by multiple endoscopies over the past few months, have made his voice very weak.
Though a hospital room is hardly the most ideal of places for father-son conversations, we’re grateful to be indoors. It’s December. Condensation beads and trickles down window glass. Cool seeps through poorly sealed panes. Someone – an above and beyond nurse – has smoothed masking tape against the window cracks to keep winter out.
From my iPhone speaker, a song from the 70s playlist we’re listening to punctures the white noise of beeping, hissing, dripping medical contraptions that loom like metal skeletons all around the bed.
I know he’ll recognize the song, but I ask anyway, testing that still-lucid memory of his.
“Summer Breeze. Seals and Croft,” he says.
I nod, turning it up a little. But not too much. He has more to say this morning. But that comes later. Right now, let’s just enjoy the music.
If my dad and I are listening to oldies, we’re inevitably going to start talking about his old record collection and how as a child I listened non-stop to those scratched-up, dusty discs.
And we do. We talk about his records.
We talk about how he’s responsible for my love of music as well as the encyclopedic knowledge of anything produced prior to 1980-something. And we talk about one song we’d been trying to remember and how we finally figured out what it was.
The warm sound of crackling vinyl on my dad’s old stereo is one of my fondest memories: Playing the records repeatedly, standing on furniture, pretending it was my own stage, as I lip-synched the songs I loved.
We talk about how he purchased so many of those 45s – God, there must have been 200 of them – secondhand when he was in his 20s: Some restaurant owner with a whole jukebox full of the seven-inch-singles, selling them for a quarter a piece.
We talk about music until the conversation ceases naturally, expiring at the end of a funny anecdote. He has more to say, but we’re finished talking about music.
“We have to talk about my arrangements.”
I get out of my chair, get down on my knees, easing up against his hospital bed to hear him better. “OK,” I say. I steel myself, hearing the hitch in my voice. I clear my throat. “I’m ready.”
We talk about what kind of ceremony he wants. We talk about cremation vs. burial. We talk about financials and hand-me-downs and how things will be without him around. We talk about the eulogy and things he wants said. He wants a celebration, not a sad affair.
He wants jubilation.
Another song comes on. I quiz him about it, and he knows it of course. He knows the title, artist, and even most of the lyrics.
It’s after 10 a.m., as I sit in a chair beside my dad, adjusting the volume on the iPhone speaker – keeping the oldies just loud enough to hear but not so loud to drown his words. We listen, grateful to be together inside where it’s warm on this cold December day, both of us knowing the gravity of these conversations now. More grateful than ever for them.
The sun warms pale hospital sheets that drape his skeletal frame. It’s bright inside this room. Not even the doctor’s words – weeks to live – can eclipse the sun as it dances upon the walls.